William Shakespeare s King Of The Good And Bad Of Human...

In William Shakespeare’s play King Lear, similar to most of his pieces, he manages to build an intricate storyline, weaving in and out of the good and bad of human nature. Shakespeare also highlights the development of identity in results to hardship and utilizes characters, such as Lear the protagonist to create emphasis. Lear, who is ridden with a naà ¯ve and un-insightful personality plunges himself head first into an avoidable misfortune leads him to the loss of his kingship, his relationship with his daughters and eventually his mind. However, through the endurance of these adverse experiences and burdening inner conflict he gains a new perspective as well as a new-found wisdom that transforms his identity for the better. In Act I Scene I Lear’s personality and surprising naivety is reflected through his choice of decisions and actions towards the people who truly care about him. Lear instigates a gathering concerning the division of his land and wishes to base it off of which daughter loves him most. Before his last and youngest Daughter Cordelia professes her version of love for him Lear says â€Å"What can you say to draw/ A third more opulent than your sisters? Speak.†(1.1.81-85). This highlights Lear’s shallowness as he thrives off of compliments, flattery and sweet talk and equally depicts his lack of wisdom because of the chosen method he deems as â€Å"fair division†. However when Cordelia, apart from her two evil sisters, expresses a truthful evaluation of her loveShow MoreRelatedAmbition and Death - the Story of the Renaissance in Macbeth1189 Words   |  5 PagesMacbeth In the tragic drama Macbeth, written by William Shakespeare in 1606 during the English Renaissance, the hero, Macbeth, constantly declines in his level of morality until his death at the end of the play. Because of his change of character from good to evil, Macbeth s attitude towards other characters, specifically Duncan, Banquo, Lady Macbeth, and the witches, is significantly affected. In a larger sense, the theme of bad versus good kingship, embodied by Macbeth and Duncan, respectivelyRead MoreExamining the Villainous Characters of Shakespeares King Lear871 Words   |  4 PagesKing Lear by William Shakespeare is one of the ionic plays that depict behavior of mankind as either good or bad. As one of the earliest plays to show cast good vs. evil, King Lear paved the way for other such symbolic plays to written. Goneril, Regan, and Edmund, three of the characters from Shakespeare’s King Lear, are symbols of evil with in human society to its greatest entity. These three are th e most highlighted villains in the play. A villain is a bad or evil person, usually the antagonistRead MoreAnalysis Of Shakespeare s The Twelfth Night 1246 Words   |  5 PagesCharles 1 Bradley Charles Professor Eddie Coleman English 100 14 November 2016 Writing Devices in Shakespeare s The Twelfth Night William Shakespeare is one of the most well-known writers of all-time. William Shakespeare was born in the United Kingdom in April of 1564, to a family who was neither noble or wealthy (http://www.shakespeareinamericancommunities.org). He attended the local grammar school, where he was taught Greek mythology, Roman comedy, history, grammar, and Latin. He didRead MoreDeception And Deception In Hamlet1681 Words   |  7 Pagesthe truth about what happened to his father. The Queen, Hamlet, The King, Rosencrantz, Polonius, Laertes, Guildenstern, Horatio, and Ophelia all either use deceptions or are affected by them. All of these Danes, except Horatio, either spied or lied, resulting in their deaths. Without the main theme of deception, the plot would disappear and the play along with it. The entire plot is set up by the King’s deception of murdering King Hamlet and is carried by Hamlet deceiving everybody into thinking heRead MoreMacbeth as a Tragic Hero1513 Words   |  7 Pa gesMacbeth as a Tragic Hero William Shakespeare s plays have the reputation of being among the greatest in the English language and in Western literature. Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the 16th century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, Othello, and Macbeth, considered some of the finestRead MoreComparing Human Nature in Macbeth and Dr Jekyll and Mr Hyde1596 Words   |  7 Pagesdwells into the concept of the duality of human nature. The narrative is extremely fragmented structure due to the use of multiple narrators and through the use of mixed media, in the form of letters and accounts. The inconsistent structure conveys that of a gothic detective story; which were very popular in the Victorian era. Victorian London at the time was the largest city in the world, with a total population of around 4 million people in the 1880’s, and was one of the first cities to becomeRead MoreDeception By William Shakespeares Play1746 Words   |  7 PagesIn William Shakespeare s play 1 Henry IV, deception is a recurring theme. Main characters King Henry IV and Hotspur deceived other characters in order to benefit themselves. Were these characters deceiving their subordinates for the sole purpose of gaining power for themselves or were their choices and actions political strategy geared toward gaining honor and maintaining the well-being of the nation? It is hard to answer this with an exact, correct answer since the only person that can really answerRead MoreMacbeth, By William Shakespeare Essay1487 Words   |  6 PagesMacbeth by William Shakespeare is a tale which illuminates the consequences of violating the â€Å"Natural order†, the hierarchy of beings in the universe. When Macbeth, a warrior well-known for his courage and bravery, murders King Duncan acting on his unch ecked ambition to claim the throne, the order was disrupted, the result†¦chaos. Shakespeare uses symbolism to illustrate the atmosphere of the play as the natural order is flung into a state of turmoil. These techniques used by Shakespeare is used toRead MoreCauses of Macbeths Downfall1445 Words   |  6 Pageslife journey of Macbeth as he climbs the ladder of the social hierarchy. Determined to become King, Macbeth will kill any and all that get in his way. Driven by ambition, Macbeth puts his faith in the words and prophecies of three witches after a prediction that Macbeth would gain the new title of Thane of Cawdor. Alongside with ambition, Lady Macbeth, is a key instrument to Macbeths’ ambition to become king, continuously pressuring him, when he fears he has gone too in his schemes for greatness. WeRead MoreMacbeth : A Tragic Flaw1919 Words   |  8 PagesNikhil Srivastava Ms. Bularzik British Literature 3/10/17 Egotism in a man Pride as a tragic flaw in Macbeth Pride is essential to all humans in any lifestyle. Without pride, self-confidence would not exist. Many successful products are made by the creator taking risks. Without self-confidence there will not be as much risk taken to create something new. It is not wrong to take pride in one’s work, as it acts as a sense of satisfaction for the accomplishment. Also without pride there

Analysis Of Emily Woolf s Mrs. Dalloway - 1528 Words

Virginia Woolf’s writing pattern is beautifully interwoven in and out of the thoughts of each character. She has the ability to portray random, yet structured working of the mind giving the reader a sense of mental time. The past, present, and future are constantly intertwining, which allows the reader to enter different frames in Mrs. Dalloway’s life in such a short period of time. This method draws a connection with how people think, feel, and dream in all different directions. Instead of following a basic plot, Woolf expresses a certain point of view in Mrs. Dalloway by digging inside the minds of each character. She constantly uses stream of consciousness, which gives insight for the different characters. These moments of memories and present situations allow the reader to develop a full understanding of Clarissa’s character in only a single day. Woolf successfully illustrates how time can sufficiently reveal one’s character, but in particular uses Cla rissa to show that it is impossible to escape the past because of the present reality of time constantly on her shoulders. Woolf presents time in the novel as being sporadic. People tend to imagine time as progressing steadily like a second-hand on a clock, but it is much more than that. Thoughts are constantly being thrown around in the mind making time pass by quickly, slowly, or just makes one freeze in time internally, but not externally. Clarissa arrives at the flower shop in the morning and all of her senses areShow MoreRelatedThe Hours - Film Analysis12007 Words   |  49 PagesVirginia Woolfs works as well as to her biography. In this essay, I shall partly yield to the academic itch to tease out the manifold and sophisticated allusions to the numerous intertexts. My aim, however, is not to point out every single reference to Woolf and her works--such an endeavour of source-hunting would fail alone because of the sheer abundance of intertextual references--and to strip The H ours down until its threads lie bare in front of me, but to take the theories of influence (as voiced,Read MoreA Room of Ones Own Essay3982 Words   |  16 Pagesand Five of A Room of One s Own,, the focus on Women Fiction shifts to a consideration of women writers, both actual writers and ultimately one of the author s own creation. The special interest here is one raised earlier in the work: the effect of tradition on women s writing. Woolf believes that women are different from men both in their social history as well as inherently, and that each of these differences has had important effects on the development of women s writing. Women writers

Empiricism and Rationalism Essay Example For Students

Empiricism and Rationalism Essay Empiricism and rationalism   directions of knowledge of new time The development and substantiation of the methods of scientific knowledge is the main goal of the philosophers of modern times. Two basic methods are formed and on this basis the opposite philosophical directions: empiricism and rationalism appear. Empiricism is a philosophical direction that recognizes sensory experience as the main and only source and content of reliable knowledge. The founder of this theory is the English philosopher Francis Bacon, who firmly advocated an opinion that knowledge is the highest value in this world. We will write a custom essay on Empiricism and Rationalism specifically for you for only $16.38 $13.9/page Order now Empiricist considers that knowledge is the reflection of truly existing reality. The reflection occurs through the senses (vision, touch, sense of smell, hearing, taste). According to Bacon, everything that is perceived by the sense organs must be confirmed by experience, that is, an experiment, thus his theory is grounded on sensory experience. For instance, Aristotle believed that of the three most important feelings (sense of smell, hearing and vision) the vision is the most valuable in providing vital needs, but hearing is more important for the development of intelligence. Aristotle described deaf people as   Ã¢â‚¬Å"uninformed, heartless, and incapable of reasoning, nothing better than animals†, so in his opinion, the deaf one cannot be clever unlike the blind one. Blindness is a more serious illness, but it has less effect on mental development than deafness, as the blind from birth are smarter than the deaf. An authoritative opinion of the philosopher contributed to the fact that the blind, in contrast to the deaf enjoyed greater support and sympathy in society. Another example of empiricism is the arguments of Zeno according to the Parmenides theory about abundance and movement of things. The essence is that the movement can not begin, because, in order to pass at least a small distance, it must first reach the half of it. But before that, it must first reach the quarter point. However, to reach the quarter point, it must first reach the half of the distance of the previous half. Thus, it will never move out of place, having to reach the quarter point of the following point and pass an infinite amount of smaller distances beforehand. Besides, it also demands an infinite amount of time, that excludes the capability of movement. Rationalism is a holistic epistemological concept according to which the true principle of being, the knowledge and behavior of people are the principles of mind. Philosophical rationalism roots to antiquity: to the doctrine of Socrates about the identification of truth and morality, to the theory of Plato about ideas as the true substance of reality, etc. For instance, an ancient Greek philosopher Heraclitus explains the world as â€Å"ever-living fire†. The world is an ordered combination of various elements or substances produced by the primary material. The fire is the most dynamic, changeable of all the elements. It plays a significant role in the doctrine of Heraclitus, but it is not an exceptional and unique source for other things since all things or elements are equivalent. Fire is more important as a symbol than as a primary element. This is an explanation of the rationalist. Rationalism or empiricism: experience or mind? Such questions cannot be answered by unambiguous reply. There are many philosophers, rationalists and empiricists among them, who have put forward their hypotheses on this issue and devoted life to prove it. The rationalists were opponents of the empiricists. The main argument of the rationalist in the dispute with the empiricist is that sensory experience itself, not transformed by the mind, cannot be the basis of knowledge. If the rationalist guides knowledge to the experimental study of individual things, then the empiricist for the source point of knowledge takes an individual act of thinking. .u480b5a46f271499e31edaf0975e4b938 , .u480b5a46f271499e31edaf0975e4b938 .postImageUrl , .u480b5a46f271499e31edaf0975e4b938 .centered-text-area { min-height: 80px; position: relative; } .u480b5a46f271499e31edaf0975e4b938 , .u480b5a46f271499e31edaf0975e4b938:hover , .u480b5a46f271499e31edaf0975e4b938:visited , .u480b5a46f271499e31edaf0975e4b938:active { border:0!important; } .u480b5a46f271499e31edaf0975e4b938 .clearfix:after { content: ""; display: table; clear: both; } .u480b5a46f271499e31edaf0975e4b938 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u480b5a46f271499e31edaf0975e4b938:active , .u480b5a46f271499e31edaf0975e4b938:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u480b5a46f271499e31edaf0975e4b938 .centered-text-area { width: 100%; position: relative ; } .u480b5a46f271499e31edaf0975e4b938 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u480b5a46f271499e31edaf0975e4b938 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u480b5a46f271499e31edaf0975e4b938 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u480b5a46f271499e31edaf0975e4b938:hover .ctaButton { background-color: #34495E!important; } .u480b5a46f271499e31edaf0975e4b938 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u480b5a46f271499e31edaf0975e4b938 .u480b5a46f271499e31edaf0975e4b938-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u480b5a46f271499e31edaf0975e4b938:after { content: ""; display: block; clear: both; } READ: Essay on Civic Engagement through Community Problem Solving EssayAccording to Bacon the empiricists, like ants, only collect and satisfy with the gathered, but rationalists, like spiders, produce cloth from themselves. The rationalists consider that we have true knowledge in our mind from the very beginning in the form of axioms. So, we must organize experience in accordance with these axioms. The empiricist reminds a type of modified skeptic, who rejects the existence of knowledge without sensory experience. Of course, there are some rationalists who share this opinion. Rene Descartes, the founder of rationalism, believed that that empirical experience has a changing, unstable nature. With the help of sensations, a person perceives the world according to circumstances, and therefore hope should be placed on the mind. But it is not enough to have a good mind; the main thing is to be able to apply it. In his opinion, the senses can be used in everyday life, but in scientific activity, they are doubtful. So, he also can be considered as a type of modified skeptic. The rationalist and follower of Descartes Benedict Spinoza believed that sensual cognition gives superficial knowledge, we receive faithful knowledge about reality only through the use of the mind. The highest form of cognition, according to the philosopher, is intuition. The criterion of truth is the clarity. A special place occupies the theory of Kant, who proceeds from the distinction between pure and empirical knowledge. All knowledge begins with experience. External objects only affect our senses, awakening a person’s cognitive abilities to reality. Our mind connects, compares, synthesizes or analyzes the received ideas, processes the sensual impression into knowledge. This knowledge Kant calls experience. He also tried to distinguish a priori knowledge, that is, the part of human knowledge that cannot be obtained from experience. In the 18th century, Kant tried to solve the fate of the so-called old dilemma the controversy of rationalism and empiricism in an attempt to unite them, but it was not successful. Consequently, philosophy is a science, that is guided only by theories and assumptions, and many questions cannot be answered with confidence. Therefore, it is hard to say which of these directions: empiricism or rationalism is closer to reality. The position of rationalists, as well as the position of empiricists, was one-sided, absoluted with one of the cognitive charachters of human, that ultimately contributed to the establishment of the philosophy of a metaphysical and mechanistic way of thinking.

The adjective melodramatic Essay Example For Students

The adjective melodramatic Essay Melodrama was the nineteenth centurys most popular form of theatre, as it demonstrated precisely the values that the contemporary audience desired, due to its essence of escapism and their demand for real people, cities and social situations to be recreated on stage. The nineteenth century saw the industrial revolution in England, after which stage machinery naturally developed, in order to create more spectacular effects for an audience demanding more realistic displays of tragedy and sensation from their theatres. The Concise Oxford Dictionary defines melodrama in its historical sense as a play with songs interspersed and with orchestral music accompanying the action. Thus music was an integral part of this theatrical genre, typically used in order to heighten the dramatic effect of scenes. This technique is employed throughout Leopold Lewiss `The Bells, an example of which is not only the use of the ringing bells to evoke past memories and haunting nightmares, but also the constant stopping and starting of background music in significant situations, such as, in Act 3 of the play: The mesmerist goes up stage to back of Mathias, makes some passes. We will write a custom essay on The adjective melodramatic specifically for you for only $16.38 $13.9/page Order now Music. Mathias to himself. Mathias, if you sleep you are lost I willnotno Falls asleep, Music ceases. The sudden lack of music, so shortly after it first begins, creates additional dramatic effect and deathly silence in this courtroom scene, for it can be concluded that now Mathias is sleeping and exposed, all is certainly lost. Melodramatic form is expressed through various textual features, and dramatic effects. Melodrama adds extra significance and importance to gestures, as it is a genre intended for performance, rather than reading. Peter Brooks `The Melodramatic Imagination remarks that Everyday gestures point to another world of life and death. This ostensibly purports that such acts as the sailor diving into the water in order to slay a shark and retrieve the corpse of a child, in `Black-Eyd Susan, are present in melodramatic theatre due to the fact that, in order to manifest aspects of the cosmic, realistic situations are necessarily employed to convey a deeper message to the audience, whilst still perpetuating the melodramatic characteristic of realism. The cosmic, fantastical aspects are presented in Mathias of `The Bells being strangled to death by a rope, which is merely his own fantasy. However, this is of no importance to the reader, as although impossible, it is the underlying moral to which it hints which is critical. Melodrama has a tendency, almost entirely in opposition with the previous technique, to treat the everyday as exciting, as although the contemporary public exacted everyday events as their subject matter of choice, the form must be modified and sensationalised if there is to be a continued demand for it. Melodrama operates via metaphors, in which occurrences and objects must speak for something entirely different. For example, William of `Black-Eyd Susan speaks almost entirely in nautical terms, referring to Susan with the supposedly affectionate name of my craft. Melodrama is comprised principally of moral absolutes, a fast-moving dialogue in order that tension be created towards the obstacles faced by the hero or heroine, formulaic ideals of content and writing style, false conclusions and climaxes, the plot being based on a secret that is known to the audience, and a particular style of acting. The strict dichotomy between good and evil is perhaps the most characteristic, as personalities mediating between the two polar extremes are rarely seen, allowing virtue always to overcome vice, and the stereotypical ending of a succinct closure reinstating the old social order with all its flaws being corrected being reached without too much moral ambivalence on the characters behalf. James L Smith remarks in `Melodrama, the critical idiom that In melodrama man remains undivided, free from the agony of choosing between conflicting imperatives and desires. .u207775038c8c00e558055a81c20bc6b8 , .u207775038c8c00e558055a81c20bc6b8 .postImageUrl , .u207775038c8c00e558055a81c20bc6b8 .centered-text-area { min-height: 80px; position: relative; } .u207775038c8c00e558055a81c20bc6b8 , .u207775038c8c00e558055a81c20bc6b8:hover , .u207775038c8c00e558055a81c20bc6b8:visited , .u207775038c8c00e558055a81c20bc6b8:active { border:0!important; } .u207775038c8c00e558055a81c20bc6b8 .clearfix:after { content: ""; display: table; clear: both; } .u207775038c8c00e558055a81c20bc6b8 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u207775038c8c00e558055a81c20bc6b8:active , .u207775038c8c00e558055a81c20bc6b8:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u207775038c8c00e558055a81c20bc6b8 .centered-text-area { width: 100%; position: relative ; } .u207775038c8c00e558055a81c20bc6b8 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u207775038c8c00e558055a81c20bc6b8 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u207775038c8c00e558055a81c20bc6b8 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u207775038c8c00e558055a81c20bc6b8:hover .ctaButton { background-color: #34495E!important; } .u207775038c8c00e558055a81c20bc6b8 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u207775038c8c00e558055a81c20bc6b8 .u207775038c8c00e558055a81c20bc6b8-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u207775038c8c00e558055a81c20bc6b8:after { content: ""; display: block; clear: both; } READ: Compare and contrast the 2 poems EssayHe greets every situation with an unwavering single impulse which absorbs his whole personality For example, despite Williams attempted murder in Black-Eyd Susan, he is never condemned, and Gnatbrain remarks that All Williams life has been goodness, and think you he would forget it at the end? The same play also contains false climaxes and conclusions, such as when, at the end of Act one, the couple are reunited, forming a peak in the storyline, when tragedy strikes, and a trough is descended into which enables the continuation of the narrative. The use of actors lavish facial expressions and gestures in order to denote specific characteristics and emotions, is designed for a non-literature community, which comprised the most part of theatre going Victorian audiences. Also, this acting style was necessary in order that the people sitting at the very back of enormous auditoriums could view and understand the action. Hartmut Ilsemann in `Melodrama, the cultural emergence of a genre called the genre of melodrama a domestic play, which connotes the range of issues that are predominantly seen. Social exploration is the melodramas driving force. These plays examine the role of women and family, especially regarding the destruction of the family unit as a result of alcohol, as presented in `Black-Eyd Susan, when everything is made tragic by the Captains attempted drunken seduction. Victorian Melodramas often introduced controversial views, without offending the audience, but instead helping them to ask questions of life and society. Peter Brooks called this the desire to utter the unspeakable. `The Bells has been labelled one of the most psychologically real melodramas of the nineteenth century, due to its portrayal of the machinations of the mind of a murderer. This is an early example of the presence of expressionism in nineteenth century drama, exemplified by its abundance of expressionistic dream sequences. Another of these domestic issues is that of poverty, as is shown in `Black-Eyd Susan through the following exchange between Doggrass and Susan: D: Can Dame Hatley pay me the money? S: No D: Then she shall go to prison S: She will die there D: Well? The contemporary Victorian audience show their tastes to be antithetical to each other, desiring the more sensational occurrences and catastrophes, whilst rooting the appeal of melodrama in every day, realistic characters and immediate issues. This is perhaps the reason melodrama has received such criticism, and the term become to be used pejoratively, with even the Concise Oxford Dictionary containing another definition of the word alluding to its crude appeal. James L Smith opined, The once precise words are now hopelessly debased by popular misuse. It is a term which any man in the street loosely applies to any machine-made entertainment dealing in vulgar extravagance, implausible motivation, meretricious sensation and spurious pathos. The notion of melodrama as clichÃÆ'Â ©d is somewhat enforced by the fact that actors at the time in melodramatic plays were familiar with their stock roles, within which the audience allowed slight variation, but dismissed any dramatic deviations from the rule. Bernard Shaw condemned Melodrama, questioning the validity of the hero/villain paradox. The overly simplified moral universe of good versus evil presented to certain audiences a lack of realism, bordering on the idiotic. The episodic form to which melodramas invariably adhered a threat posed by the villain, escape of hero/heroine, concluding with a happy ending seemed to both emulate and ridicule family life, or whatever issue is its predominant topic. The aforementioned use of hyperbolised gestures and expressions to some seemed over-acted, and intended to create a comedic effect, which is probably the origin of the fabricated definition of the term. Melodrama allowed for a fairly minimal amount of variation from its established framework, meaning that those who disliked one play of the genre were more than likely to condemn its fellows. .ubafdf2dcb7c7589bef388746701a5429 , .ubafdf2dcb7c7589bef388746701a5429 .postImageUrl , .ubafdf2dcb7c7589bef388746701a5429 .centered-text-area { min-height: 80px; position: relative; } .ubafdf2dcb7c7589bef388746701a5429 , .ubafdf2dcb7c7589bef388746701a5429:hover , .ubafdf2dcb7c7589bef388746701a5429:visited , .ubafdf2dcb7c7589bef388746701a5429:active { border:0!important; } .ubafdf2dcb7c7589bef388746701a5429 .clearfix:after { content: ""; display: table; clear: both; } .ubafdf2dcb7c7589bef388746701a5429 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ubafdf2dcb7c7589bef388746701a5429:active , .ubafdf2dcb7c7589bef388746701a5429:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ubafdf2dcb7c7589bef388746701a5429 .centered-text-area { width: 100%; position: relative ; } .ubafdf2dcb7c7589bef388746701a5429 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ubafdf2dcb7c7589bef388746701a5429 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ubafdf2dcb7c7589bef388746701a5429 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ubafdf2dcb7c7589bef388746701a5429:hover .ctaButton { background-color: #34495E!important; } .ubafdf2dcb7c7589bef388746701a5429 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ubafdf2dcb7c7589bef388746701a5429 .ubafdf2dcb7c7589bef388746701a5429-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ubafdf2dcb7c7589bef388746701a5429:after { content: ""; display: block; clear: both; } READ: Poe's gothic tale "The Black Cat" EssayHowever, although arguments may be presented to back the opinion that melodrama constitutes manufactured art and poor acting skills, there are distinct aspects of verisimilitude, such as the discussion of domestic issues, which either serve to negate, or at least neutralise, these hostile opinions. Another aspect is that of the language used, such as Williams colloquial nautical terminology in `Black-Eyd Susan, of which demotic language George Rowell asserted in `The Victorian theatre, 2nd edition, Low-life characters of Victorian melodrama raw their vigorous imagery from everyday life. Nevertheless, the realistic catastrophes astron omically demanded by late nineteenth century audiences led to the coining of the phrase `Sensation Melodrama, which, despite attempting to introduce more realism, snowballed into the almost ridiculous, as each new play attempted to outdo its predecessors in terms of exciting events and spectacular effects. William Winter stated, in `Other days, that sensation is what the public wants, and you cannot give them too much of it. This contrasts with James L Smiths earlier assertion that Triumph, despair and protest are the basic emotions of melodrama, and the art of working each to its highest pitch occasions the catharsis of the form. Melodrama had taken on a new, more physical, importance, overshadowing the motives and sentiments, which had at first caused it to become so popular. Melodrama, as all other genres, has evolved with its audience, and their changing demands, so that to a Victorian audience, modern melodramas would seem virtually unrecognisable and probably repulsive. It is in this way that statements regarding the ideal characteristics of such a genre must be considered objectively, with consideration given to the audience towards whom the text was first directed, and for whom the author had intended it. Unlike such genres as comedy or horror, melodrama appears to have a purpose other than that of entertainment, as it addresses acute social issues, and personal grievances. The simplified catharsis to which the polarisation of right and wrong lead, is not necessarily unintended or unwanted, as a Victorian audience, perhaps compelled to introspection by the themes of a melodrama, may have found the uncomplicated relief for which they had previously searched. It is due to this polarity that James L Smith asserted that there is no other form of theatre which speaks so simply and directly to the people as a whole, which favours my opinion that melodrama, when taken in context, deserves no such scorn, whilst reassuring that despite some dissent, melodrama continues to maintain its relevance.